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Performance Dates: September 12, 2019 – October 20, 2019

Based on the cult hit film of the same name, The Full Monty, a ten-time Tony Award nominee, is filled with honest affection, engaging melodies and the most highly anticipated closing number of any show. The powerhouse team of Terrence McNally (Ragtime) and David Yazbek (Dirty Rotten Scoundrels) cooks up.

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While spying on their wives at a “Girls’ Night Out,” a group of unemployed steelworkers from Buffalo sees how much they enjoy watching male strippers. Jealous, out of work and feeling emasculated, the men come up with a bold and unclothed way to make some quick cash. In preparing, they find themselves extremely exposed; not merely physically but emotionally. As they conquer their fears, self-consciousness and prejudices, the men come to discover that they’re stronger as a group, and the strength that they find in each other gives them the individual courage to “let it go.”

The Full Monty is a story full of heart. Right to the end, audiences will be wondering if these lovable misfits will really pull it off. With a raucous mix of razor-sharp humor and toe-tapping pizzazz, this heartwarming, upbeat comedy is an absolute don’t-miss-it event!

Photos courtesy of Photographer, Richard Termine

Photos courtesy of Photographer, Richard Termine

Photos courtesy of Photographer, Richard Termine

Meet the Creative Team of The Full Monty

Evan Pappas

(Director/Artistic Director)

Guys and Dolls, Hunchback of Notre Dame, The Producers (The Argyle Theatre). Off-Broadway: A Letter To Harvey Milk (Acorn Theatre); Liberty, Wonderful Town, DuBarry Was A Lady. Off-Off-Broadway: Next To Normal. Regional: The Color Purple and Sister Act (Arts Center of Coastal Carolina); Kiss Me Kate, Evita, West Side Story, The Daughter Of The Regiment, The Barber of Seville (Opera North); Funny Girl, Seven Brides for Seven Brothers (SF Critics Best Production Award); Lucky Stiff (Arizona Broadway Theater); Murder For Two, My Way (Depot Theatre); Carousel, A Man Of No Importance (Montclair State). As an actor, Evan starred on and Off-Broadway in: My Favorite Year, Parade, Putting It Together, A Chorus Line, I Can Get It For You Wholesale, Cafe Society Swing, Pera Palas, as well as in London’s West End in Follies and Merrily We Roll Along. He has toured all over the U.S. and Canada, and regionally he has worked extensively and won a Helen Hayes Award for Best Actor in Lucky Stiff at the Olney Theatre. @TheEvanPappas. www.Evanpappas.net

Ethan Andersen

Music Director

Ethan is a New York based music director, pianist, and composer-lyricist. He was the music director and conductor of the Saturday Night Fever national tour, Flat Rock Playhouse (state theater of North Carolina), and Elon University’s Music Theatre program. He works for Mean Girls (August Wilson Theatre) and has conducted for BCEFA’s Easter Bonnet Competition (Minskoff Theatre). As a writer, Ethan is a member of the BMI Lehman Engel Musical Theatre Workshop, and his musicals have been produced by the New York Musical Festival, Elon University, and annually at the Carl Sandburg Home National Historic Site. Ethan is a proud alumnus of Elon University and member of Local 802 AFM. For more, visit:ethan-andersen.com

David Yazbek

(Music & Lyrics)

A varied career as a recording artist, Emmy-winning TV and film writer, music producer and pianist has somehow led Yazbek to a career on Broadway. His four shows, The Fully Monty, Dirty Rotten Scoundrels, Women on The Verge of a Nervous Breakdown, and The Band’s Visit were all Tony nominated for Best Score. Yazbek took home the Tony for Best Score for The Band’s Visit. The Fully Monty won him the Drama Desk Award for Best Music. As a recording artist, BABYLON 41 creative Yazbek is responsible for five albums: The Laughing Man (winner NAIRD award, Best Pop Album of the Year),Tock, Damascus, Tape Recorder and Evil Monkey Man. He also produced the original cast albums of The Band’s Visit, The Fully Monty, Dirty Rotten Scoundrels, and Women on The Verge of a Nervous Breakdown, the first three of which were nominated for Grammy Awards. Yazbek scored the final season of HBO’s BOARDWALK EMPIRE, scored and performed the music for Larry David’s giant Broadway hit Fish in the Dark, and built an Ikea storage shelf. Yazbek teamed up with 13 librettist Robert Horn to collaborate on the new musical Tootsie, currently running on Broadway and nominated for 11 Tony Awards, including Best Musical.

Peter Fogel

(Costume & Wig design)

Recent design credits include the Off-Broadway production of The Net Will Appear (59E59 Theaters); Pride and Sensibility (InViolet Theater Company); Cyrano de Bergerac (Resonance Ensemble); Albert Herring, and La Cenerentola (The Bronx Opera Company). International: Cyrano (Shanghai Theatre Academy, China). Associate: Glass Guignol: The Brother and Sister Play, and Medea (Mabou Mines). Peter is the resident costume designer of Hoboken’s Mile Square Theater. Selected MST credits: Vanya and Sonia and Masha and Spike, It’s a Wonderful Life, The 39 Steps, Betrayal, and I and You.

Michael Cassara, CSA

(Casting Director)

Recent credits include The Mad Ones (Prospect Theater Company, dir. Stephen Brackett), Spamilton (dir. Gerard Alessandrini – NYC and Chicago companies), Gigantic (Vineyard Theatre, dir. Scott Schwarz), Forbidden Broadway (last two editions/cast albums), Goldstein (current off-Broadway production), PAW Patrol Live! (Nick Jr./current national tours), 9 Circles (off-Broadway premiere/Sheen Center), The 12 (Denver Center/world premiere), Caroline, or Change (Tantrum Theatre), My Fair Lady (Gulfshore Playhouse), Do You Feel Anger? (Actors Theatre of Louisville/Humana Festival). Film: The Hyperglot (dir. Michael Urie, Artios nomination for excellence in casting), Grantham & Rose (dir. Kristin Hanggi). Resident Casting Director for the New York Musical Festival (NYMF) since 2007 and the National Alliance for Musical Theatre (NAMT) since 2013. Michael is native Clevelander and a member  of the Casting Society of America. BFA, Otterbein University. MichaelCassara.net/ @michaelcassara

Julianna Cricchio

(Assistant Stage Manager)

Julianna, a Queens College alumni, is thrilled to be back for her fourth mainstage production at The Argyle Theatre. Previously she had been a Production Assistant (Peter and the Starcatcher), Props Runner (Spring Awakening) and (The Producers) and Deckhand for Argyle’s Children’s theatre. Recently she was a Production Assistant for Holland American Cruise Lines at RWS Entertainment Group. She would like to thank everyone who supported her to achieve her dream.

Alison Savino

(Prop Master/Production Coordinator)

Select Off-Broadway credits include: SCENES FROM A MARRIAGE (Production Assistant), THE ZOMBIES! A MUSICAL (Assistant Stage Manager) and THE FALLEN (Assistant Stage Manager). Favorite Long Island credits include: LEGALLY BLONDE (Prop Master/PA), MILLION DOLLAR QUARTET (Assistant Stage Manager/Prop Coordinator), THE PRODUCERS (Stagehand/Deck Scenic Artist), TO KILL A MOCKINGBIRD (Assistant Stage Manager), MY LIFE IS A MUSICAL (Production Assistant), THE TEMPEST (Assistant Stage Manager) and TRAVESTIES (Prop Assistant). Alison is currently attending Columbia University pursuing her MFA in Stage Management.

Eugenio Contenti

(Choreographer/Associate Director)

Eugenio is an Italian Director/Choreographer based in New York City. He is thrilled to work once again with Mr. Pappas, after collaborating with him on several projects, including Lucky Stiff and The Argyle‘s production of The Hunchback of Notre Dame. Directing and/or choreographing credits include many regional productions and developmental musicals in NYC (Joseph and the…, Carrie, Rent, Alice in Wonderland, among others). Eugenio has been active as an Assistant/Associate Director working on, among others, Lulu (M. Arden), Sister Act, DuBarry Was a Lady (Off-Broadway), Rent, Pinocchio (NYC, Seoul, Italy), and the Italian National Tours of Cats, Alice in Wonderland, Titanic, Robin Hood and others. Eugenio has also directed and choreographed numerous Graduation Musicals at AMDA, where he is also a member of the Musical Theatre Faculty. @eugeniocontenti

Terrence 

(Book)

Was awarded the Dramatists Guild Lifetime Achievement Award in 2011. He is the winner of Tony Awards for his plays Love! Valour! Compassion! and Master Class and his books for the musicals Ragtime and Kiss of the Spider Woman. In 2010 the John F. Kennedy Center for the Performing Arts presented Terrence McNally’s Nights at the Opera, a three-play festival of his work. His other plays include Frankie and Johnny in the Clair de Lune, Lips Together, Teeth Apart, A Perfect Ganesh, Corpus Christi, The Ritz, It’s Only A Play, The Lisbon Traviata, Some Men, The Stendhal Syndrome, Where Has Tommy Flowers Gone?, Bad Habits, Deuce, Dedication or The Stuff of Dreams, Unusual Acts of Devotion, Next, Sweet Eros, Witness and his first play, And Things That Go Bump in the Night, which was produced on Broadway in 1964. He has written the librettos for the musicals The Full Monty, A Man of No Importance, The Rink and The Visit and the opera Dead Man Walking. He won an Emmy Award for Best Drama with his teleplay Andre’s Mother. He wrote the screenplays for Frankie and Johnny, Love! Valour! Compassion! and The Ritz. Among his many awards are a Citation from the American Academy of Arts and Letters, the New York Drama Critics Circle Award for Best New Play, four Drama Desk Awards, three Hull- Warriner Best Play Awards from the Dramatists Guild, two Obies, two Lortel Awards and two Guggenheim Fellowships.

Graham Kindred

(Lighting Design)

Argyle: The Producers and Hunchback Off-Broadway: They Promised her the Moon, Catch The Butcher (Miranda Theater); Disenchanted! (West Side Theater, St. Clements) You’re a Good Man Charlie Brown and Love, Linda, (York); The Road to Damascus, Almost Home (The Directors Company);The Best of Everything (HERE); Miss Abigail’s Guide…(Sofia’s); Deep Throat (45 Bleecker); Danny and Sylvia (St. Luke’s); Uncle Jacques Symphony (SoHo Playhouse). Regional: Straz Center, Freedom Theatre, Denver Center, Florida Rep and Stamford Center. Currently he is the director of the Production and Design program at Pace University

Carlos Dias, Jr.

(Sound Designer)

Has worked professionally as an audio engineer and sound designer for 20 years. As a live sound engineer, he has toured with artists like Grammy-nominated Average White Band and has had the privilege to work with distinguished artists such as Diana Ross, The Chainsmokers, Sypro Gyra, Duncan Sheik, Sierra Boggess, and recently Joyce DiDonato. He has sound designed events or theater productions for Centenary University, St. John’s University, Fairfield University, Sacred Heart University, and Yale University. He has worked with organizations such as the Red Cross, and the American Cancer Society and has also had mixes featured on MTV and VH1. Recently, he has toured with number one Smooth Jazz Billboard Artists Vincent Ingala and Jonathan Fritzen as tour manager/front of house engineer and was a full-time audio professor/sound designer at Five Towns College. Carlos is currently sound designing at various Long Island theaters and is working at Princeton University.

Krista Swan*

(Production Stage Manager)

Most recently Production Stage Managed The Madwoman of Chaillot at the Churchtown Dairy Theatre and Million Dollar Quartet here at The Argyle. Select Off- Broadway Credits include: Vilna (Production Stage Manager), The Office! A Musical Parody (Production Stage Manager), Babette’s Feast (Production Stage Manager), Friends the Musical Parody (Production Manager), Lili Marlene (Production Manager), Baghdaddy (Assistant Stage Manager) The Babies (Production Stage Manager) & (Sophie), Two by Tennesee Williams (Production Stage Manager). Krista’s passion for stage managing and is equal to her love of performing. She has been featured in TV Shows such as Nickelodeon’s Danny Phantom (Danielle Phantom), Disney’s Hannah Montana; and Feature Films including Transformers, Blades of Glory, Santa Claus 3, Meet the Robinsons. Krista is thrilled to return to The Argyle Theatre to stage manage The Fully Monty with this wonderful company!

Claire Leon

(Assistant Choreographer)

is a recent graduate from the Integrated program at the American Musical and Dramatic Academy. This is the fi rst project she’s working on since graduating and is ecstatic to be a part of the creative team! Dancing since she was 7, she’s excited to be on the other side of the creative process as Eugenio Contenti’s assistant!

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